This is using some recycled clay for the pot (thrown off the hump!). It has quite a bit of terracotta in it. I find the orange a little much, so I was trying to create a layered feel by brushing on white slip whilst it was still on the wheel.
Then I added some black slip to the top after they'd dried a little.
For the white I've just added some porcelain slip I had from throwing, to thicken it up and give it some density. For the Black, I've added a good portion of Ebony underglaze powder.
Then I'll give them a clear glaze. Not sure whether to take this clay up to Stoneware or just to Earthenware... could be risky given the amount of terracotta
It's been awhile between drinks but finally i'm back at the wheel and making some progress
I've been throwing off the hump this week - and it's been a revelation. It's fast, flowing and gives a more natural feel to the pots.
And I've been mucking around with some black slip as well, to provide a contrast to the white.
We'll have to see how they work out. These pictures are of raw pots so they'll change quite a bit once they're fired and glazed. Hopefully the black will stand out more and the white will ping. Fingers crossed, but you never know with clay. It has a life of its own!
And the background to the shots... the underpainting for Jems next painting. It's been on the packing and sending table for a few weeks now!!
I've been getting back into throwing recently. Just took a bunch off to be fired so glazing next weekend hopefully.
Been talking to jem about decoration and glazing...
The discussion was around decoration being like make up - there's nothing worse than over done makeup, makeup should be about highlighting the form, bringing out the features just ever so slightly - decoration on pots is the same.
Then there's also the car duco analogy. Cars are so shiny that you can't actually see the forms and it's all lost in lots of shine.
So finding a way to bring out the form of the pot and minmise the shine...